Tuesday, September 30, 2008


Composer Sharon Farber has been hard at work this month on the film's music, and I watched the near-final cut last week with the score for the first time, and the difference Sharon's work makes is palpable. She has given us some wonderful, sensitive, enigmatic and haunting music, which will only serve to take the whole film up several notches... Hopefully we'll be mixing in October/November, and have the film finally ready by Christmas. Cannes 2009 awaits!